| dc.contributor.author | Droste, Anika | |
| dc.contributor.author | Glowsky, Marius | |
| dc.contributor.author | Helm, Nikolas | |
| dc.contributor.author | Runge, Kirstin | |
| dc.contributor.author | Schlink, Benjamin | |
| dc.contributor.author | von Blanckenburg, Max | |
| dc.contributor.editor | Reitemeier, Frauke | |
| dc.date.accessioned | 2016-01-26T11:10:13Z | |
| dc.date.available | 2016-01-26T11:10:13Z | |
| dc.date.issued | 2015 | |
| dc.identifier.uri | https://doi.org/10.17875/gup2015-890 | |
| dc.format.extent | 359 | |
| dc.format.medium | Print | |
| dc.language.iso | eng | |
| dc.relation.ispartofseries | Göttinger Schriften zur Englischen Philologie | |
| dc.relation.haspart | 3/isbn-978-3-86395-244-0.1 | |
| dc.relation.haspart | 3/isbn-978-3-86395-244-0.2 | |
| dc.relation.haspart | 3/isbn-978-3-86395-244-0.3 | |
| dc.relation.haspart | 3/isbn-978-3-86395-244-0.4 | |
| dc.relation.haspart | 3/isbn-978-3-86395-244-0.5 | |
| dc.relation.haspart | 3/isbn-978-3-86395-244-0.6 | |
| dc.relation.haspart | 3/isbn-978-3-86395-244-0.7 | |
| dc.rights.uri | http://creativecommons.org/licenses/by-sa/4.0/deed.de | |
| dc.subject.ddc | 420 | |
| dc.title | Transfers and Transmutations | |
| dc.type | anthology | |
| dc.price.print | 30,00 | |
| dc.identifier.urn | urn:nbn:de:gbv:7-978-3-86395-244-0-8 | |
| dc.identifier.ppn | 847836428 | |
| dc.description.print | Softcover, 17x24 | |
| dc.subject.division | surveyed | |
| dc.relation.isbn-13 | 978-3-86395-244-0 | |
| dc.identifier.articlenumber | 8101476 | |
| dc.identifier.intern | isbn-978-3-86395-244-0 | |
| dc.bibliographicCitation.volume | 010 | |
| dc.subject.bisac | LAN000000 | |
| dc.subject.vlb | 564 | |
| dc.subject.bic | C | |
| dc.description.abstracteng | From Diogenes to Appiah, Ovid to Shakespeare, from Jacobean to Edwardian England, from gender
approaches to revising theories of identity: The Bachelor’s and Master’s theses collected in this
volume are concerned with changes in various forms. Some chart the transmutation of a literary idea
or motif into a different time or genre, others transfer concepts to new surroundings and test their
uses. The papers are not restricted to literary topics but cover a broad range of cultural products
and contexts, and they are often complementary: While Kirstin Runge charts the transformation of
the Adonis story from Ovid to Shakespeare, discussing the functions of the poem for Shakespeare’s
reputation, Anika Droste looks at the practices and representations of violence in Elizabethan and
Jacobean England, noting how various Shakespearean plays depict an unstable society by picking
up public concerns common to the time. In similar ways, von Blanckenburg’s and Glowsky’s
contributions look at nineteenth-century literature, while Schlink and Helm consider various cultural
theories in a very modern context. Together, these papers present change from diverse perspectives,
political as well as cultural, textual as well as theoretical, and provide the reader with a new insight
into literary concepts and ideas throughout the centuries. | |
| dc.notes.vlb-print | lieferbar | |
| dc.intern.doi | 10.17875/gup2023-890 | |
| dc.identifier.purl | http://resolver.sub.uni-goettingen.de/purl?univerlag-978-3-86395-244-0 | |
| dc.format.chapters | 7 | |
| dc.format.chapters | 7 | |
| dc.identifier.asin | 3863952448 | |
| dc.subject.thema | C | |
